FORM@ RECORDS was mainly listening techno and bedroom techno, and each artist wasn't actively DJing or performing live, so it was hard to become known. Requests include introductions in magazines and auditions at stores.
Even so, many of the listeners who listened to it liked it, and that led to various things. Most of them are transient, but I was happy at the time.
It was also surprising that the evaluation from overseas was higher than that of Japan. Nowadays, mail-order services are available for distribution, but at that time it was easy to enter Japan, but it was difficult to leave Japan, and there was no distributor who could do that. I think.
Eisei Yorimitsu (FORM@ RECORDS)